In Conversation

What’s the difference between dialogue and conversation? In creative writing, dialogue may only be a conversational exchange between two or more people, but it’s got to have purpose, otherwise it’s just chat. Conversation is the way people talk; dialogue contributes to the plot. Dialogue must move the story on, by revealing something about the characters or the plot. Good dialogue is the mark of a fine writer; forced and clunky dialogue betrays the bad.

Continue reading

Accents and Dialects

An accent is an individual mode of pronunciation often associated with a particular locale. A dialect is a form of speech peculiar to a district, usually employing colloquial vocabulary specific to that geographical area.  In fact, George Bernard Shaw once observed that, England and America are two countries separated by a common language.

For such a small geographical area, the United Kingdom has hundreds of dialects, many existing almost side by side but sounding like different languages. I come from Yorkshire, a county once divided into three Ridings; East, West and North (Riding is an old term meaning a third – the South Riding that Winifred Holtby wrote about was fictitious), where the local dialect can be very thick. I’ve lived elsewhere in the country, and in the US, and the rough edges have been smoothed, but whenever I return to Yorkshire, I fall back into the accent and dialect without a second thought.

Continue reading

Day Fourteen

Word Count: 27,731

Good, natural dialogue is difficult to write. Not done skilfully, it can sound stilted and awkward, as if it’s being spoken by puppets.

I’ve been writing a lot of dialogue today, moving the story along with what’s revealed in conversation, rather than in narrative and description, and I was heartened to find this quote from Elmore Leonard: All the information you need can be given in dialogue.

Says it all, really.