I’m a novelist and an unashamed eavesdropper. This superpower has often come in useful in my short story writing, and my novels. So when an intriguing snippet of conversation drifted over the cubicles in the changing rooms at my local swimming pool, I dashed out to the car (remembering to get dressed first…) and wrote it down fast. The scenario I’d just overheard would make a great subplot.
Subplots are useful for a number of reasons. I’ve previously written about their advantages here: but the main ones are:
- Character development, revealing the flaws and traits of a one-dimensional character
- Adding interest to the story, bringing drama, pathos and mystery to a flat storyline
- Bringing in a fresh set of characters to add impediments or obstacles
- Providing an alternative ending to add a twist or complication
- Putting the reader off the scent and delaying the outcome
They are best avoided if the only reason to add a subplot is to inflate the word count.
I was at the halfway mark with my WIP when I realised the novel was going to come up short in the word count. I needed another subplot.
Be careful what you wish for, is my advice.
The WIP was languishing, stuck in a saggy middle of my own making, when I had the flash of inspiration at the swimming pool. What if, I thought, the writer of the letters was the mysterious, absent sister, and not the character I originally had in mind? Brilliant! I am a literary genius.
I’d already written an exciting subplot concerning said sister, but I proceeded to dismantle this and write the new storyline. Trouble is, I’m telling the story from three separate points of view, so this little change had a knock-on effect on everyone. You know how it goes: if A did this, B would have to do that and C would reveal something she shouldn’t even know about.
What started as a small tweak morphed into a major rewrite and many wasted hours trying to get my characters to fit this new narrative. It changed everything.The novel became a different story. A very complicated one.
I found myself constantly checking backwards to make sure the different elements agreed with each other. I wasn’t making much headway. This, after promising myself at the start that I would write this novel to the very end before starting any editing. But everything I wrote was coloured by this new idea, and not in a good way.
It had to go.
I’ve just finished another major rewrite, taking out this ridiculous subplot and developing my characters into more rounded and credible individuals without any deviations from my original plot. I feel much happier now. My story and I are progressing.
Subplots? Meh.
Maggie Cammiss 