While on my desert island recently, I was thinking that it might be fun to bring a writerly perspective to some of the more random, even philosophical questions I’ve been asked over the years. Some are pretty run of the mill; some have personal resonance and most have nothing, specifically, to do with writing. But I think they’re interesting enough to run a series of author interviews in the future. See what you think. Continue reading
Some sensible comments from Betsy Reavley of Bloodhound Books continue this long running debate
Last month, the head of one of the world’s biggest publishers, spoke to the media about e-books. Whilst I would usually celebrate anything from the book world making the media, I remember being quite flabbergasted by what I had read in said article. I am sure a lot of people read the article in question – it had quite a lot of shares on social media at the time! The comment which left a lot of people, including myself, reeling, was the quote ‘e-books are stupid’. Pardon? I am fully aware that people prefer one format over another, after all, we cannot all like the same things. Some readers may prefer to read hardbacks or paperbacks instead of reading e-books, or visa versa. Personally, I don’t see the problem with that, I am just thankful that we actually have a choice. Think about it – many years ago, the only…
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If you’ve got that novel ready, and even if you haven’t, this is a great opportunity.
MEET A LITERARY AGENT AT THE LONDON BOOK FAIR!
Bookings now open for LBF’s Agent One-to-One programme
News for release, 2 March 2018: The London Book Fair (LBF), the UK’s biggest gathering of international publishers and agents, has announced bookings are now open for its Agent One-to-One programme, which will take place in LBF’s Author HQ – the area of the Fair dedicated to writers and aspiring writers.
The Agent One-to-One programme offers Author HQ attendees the opportunity to meet with a leading literary agent, who will be on hand to offer advice on the publishing process and provide feedback on authors’ pitches and ideas.
Participating agents this year include representatives from AM Heath, Darley Anderson, David Higham Associates, DKW Literary Agency, MBA, Peters Fraser & Dunlop, Sheil Land Associates and Susanna Lea Associates. Between them, the agents’ areas of interest cover everything from children’s publishing, middle…
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As a fledgling writer I was advised that my reading pleasure would be ruined for ever; that I would minutely study everything I read, dissecting the dialogue, the use of language and vocabulary, the narrative style, to determine how it worked. I would treat every novel as a lesson. And I did, up to a point. For a newbie, it was a great way to learn. But I’m getting over that now. I still read a lot of fiction but I’m not obsessed with dismembering every book so I can scrutinise its inner workings in forensic detail. And I still learn a lot from my reading, that’s one of its pleasures. Facts I was previously unaware of, a novel approach to an everyday plot, the crafting of a story arc, I absorb it all. Some books are instantly forgettable; others stay in my head for a long time. Some take up permanent residence, and it’s these that I’d like to share with you. Continue reading
The other day I sat through a film featuring a subplot that had nothing whatever to do with the main thrust of the film. It didn’t reveal anything about the characters or the storyline, it didn’t hint at motivation, it wasn’t even a credible red herring. Completely irrelevant. I can’t even remember the title. However, it had an unexpected, but very useful consequence.
After the successful conclusion of an important subplot of my own, in which my mother in law was transferred to residential care when her dementia became too advanced to manage at home, I found myself with an unaccustomed amount of free writing time and not a word in my head. Tum-te-tumming at the keyboard I recalled the film with the inconsequential subplot and looked at it through the lens of my own perspective. What purpose should subplots serve in novels? Continue reading
Are you the sort of person who listens to music that reflects your current mood and reads novels that imitate your life, or do you prefer your listening and reading choices to challenge the status quo? I’m certainly in the former camp: I want mournful music when I’m anxious or depressed; uplifting tunes when I’m happy. I don’t want to be cajoled out of my sulk; I want to wallow. My reading material has to mirror my current frame of mind and, if I’m going through a particularly blue period, it should suggest an escape, or a way forward.
Committing thoughts to diaries and journals is an established method of exorcising our demons. Writing negative feelings on a sheet of paper, wrapping it round a stone and throwing it into the sea or off a cliff is still a popular way of ridding ourselves of bad vibes, so could the same effect be gained from writing fiction? Just as we use reading novels and listening to music as therapy, can we use writing to ease the kinks out of our lives? Continue reading