Category Archives: Fiction

Recycling Works

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It’s a tried and tested technique: take an old, familiar storyline and recycle it for today’s audiences. Sondheim and Bernstein did it with West Side Story, inspired by Shakespeare’s Romeo and Juliet; Helen Fielding based Bridget Jones’ Diary on Pride and Prejudice by Jane Austen. So we’re in good company.

If imagination fails, old publications are great places to find inspiration. I work for the History of Advertising trust where we have large collections of vintage magazines; a quick browse reveals a storehouse of letters, problems and stories waiting to be recycled. There’s no copyright on ideas, so there’s no problem retelling an old tale, updating the setting and changing the characters.

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My Hero

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Try this as a creative writing prompt:

Choose a well-known hero or heroine – doesn’t matter what sphere they inhabit.  They could be literary, cinematic, artistic, philosophical, historical; fact or fiction, living or dead. Maybe they’re a favourite fictional character, or a hated politician. They might be the same sex as you; they might not.

List their attributes – these traits can be positive or negative.

Now think yourself into the character and build a story, from the point of view of this real or imaginary person. Mould this 2-dimensional cut out into a real person. What motivates them? What do they like? What do they fear?

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Word Association Football

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What are your favourite words?  What makes them favourites? Do they have a particular feel on the tongue, or sound in the ear?

Some of my particular favourites: –

Serendipity; Bliss; Sandwich; Wimple; Shiver; Cornucopia; Jelly; Flatulence; Fabulous; Thimble; Blether; Lollipop; Bishibarnibee  (that’s a ladybird, or ladybug in this part of the world); Fluorescence; Blancmange; Doodle; Bowling; Scribble; Bubblewrap.

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Words, words, words

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If you want to succeed as a writer, you have to read. All the advice from the experts is the same: Read. Make time for it; enjoy it; learn from it.

Discovering a new author is thrilling; I have to read their entire back catalogue as soon as possible. The excitement I get from reading a truly great book is, funnily enough, beyond words. It’s one of the most satisfying things I know. I couldn’t put it better than Holden Caulfield, J D Salinger’s protagonist in ‘Catcher in the Rye.’

‘What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it.”

Obviously, I’m endeavouring to be that special author, but simultaneously I’m a devoted reader and it all takes time, which I never have quite enough of. I wish there were 26 hours in a day and 8 days in a week. I wish I was independently wealthy and didn’t need to go to work – it seriously impedes my writerly progress.

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A cliché too far

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Along with adjectives and adverbs, the poor old cliché comes in for a lot of stick.

A cliché is a platitude, a figure of speech which has been so overused that it has lost its original meaning and relevance and is no longer effective. Often humorous, these trite expressions would have been considered original and loaded with meaning when first used. Clichés are often derogatory, but they are not necessarily false or inaccurate. In his autobiography, ‘Moab is My Washpot,’1997, Stephen Fry says, ‘It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue.’

They’re clever little things; readymade idioms often summarising lines of description in one pithy phrase that everyone understands because they form part of our cultural fabric. They can also have an implication which is different from its true meaning. For example, ‘do you think I’m made of money?’ implies just the opposite.

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