How long is short?

I’ve been reading some Mary Higgins Clark short stories recently. Well I say short, but the first story in the volume is 50,000 words long. The others incline more towards the 4-5,000. Which begs the question, how long is short? I’ve heard of people e-publishing ‘novels’ of 5,000 words, which isn’t even a novella, but I suppose that’s the beauty of an e-book: it can be any length you like. And if you’re writing material that feels natural at this amount of words, where else are you going to get it published? Certainly the old, established markets for the short story are gradually drying up – women’s magazines are a prime example. More and more magazines are dropping their fiction pages in favour of real life, how-I-overcame-this-dreadful-situation-and–lived-to-tell-the-tale type stories.

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What if?

Continuing the theme of writer’s block, here are some prompts to use when faced with that daunting blank page. I’ve used most of them at one time or another; they’re great for getting your imagination going. Sometimes just changing the sex or occupation of a main character can trigger lots of ideas. They work well when you’re free writing – just putting down the first thing that comes into your head frees up your writing muscles. You can arrange them into some sort of cohesion later, or if it’s no good, throw it away and start again. They’re particularly good if you’ve written yourself into a corner and trying to find an ingenious way out.

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Recycling Works

It’s a tried and tested technique: take an old, familiar storyline and recycle it for today’s audiences. Sondheim and Bernstein did it with West Side Story, inspired by Shakespeare’s Romeo and Juliet; Helen Fielding based Bridget Jones’ Diary on Pride and Prejudice by Jane Austen. So we’re in good company.

If imagination fails, old publications are great places to find inspiration. I work for the History of Advertising trust where we have large collections of vintage magazines; a quick browse reveals a storehouse of letters, problems and stories waiting to be recycled. There’s no copyright on ideas, so there’s no problem retelling an old tale, updating the setting and changing the characters.

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My Hero

Try this as a creative writing prompt:

Choose a well-known hero or heroine – doesn’t matter what sphere they inhabit.  They could be literary, cinematic, artistic, philosophical, historical; fact or fiction, living or dead. Maybe they’re a favourite fictional character, or a hated politician. They might be the same sex as you; they might not.

List their attributes – these traits can be positive or negative.

Now think yourself into the character and build a story, from the point of view of this real or imaginary person. Mould this 2-dimensional cut out into a real person. What motivates them? What do they like? What do they fear?

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Word Association Football

What are your favourite words?  What makes them favourites? Do they have a particular feel on the tongue, or sound in the ear?

Some of my particular favourites: –

Serendipity; Bliss; Sandwich; Wimple; Shiver; Cornucopia; Jelly; Flatulence; Fabulous; Thimble; Blether; Lollipop; Bishibarnibee  (that’s a ladybird, or ladybug in this part of the world); Fluorescence; Blancmange; Doodle; Bowling; Scribble; Bubblewrap.

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Heroes and villains

I was on local radio yesterday evening, reading one of my stories and it occurred to me that the majority of the short stories I’ve written have happy endings and are mostly about quite pleasant people who come into contact with something or someone horrible. But I actually find it much easier to write about villains – malevolent people in horrible situations. Maybe it’s an unconscious urge to pit myself against the horrors of life and see who comes up smiling, or maybe it’s art reflecting reality. I can think myself into a villain’s mind without a problem – but does that say more about me than my creative ability?

Yesterday’s offering features one nasty piece of work, but it’s mainly a feel-good story. It’s called ‘Charity Ball’ and you’ll find it under the Short Stories tab.

A cliché too far

Along with adjectives and adverbs, the poor old cliché comes in for a lot of stick.

A cliché is a platitude, a figure of speech which has been so overused that it has lost its original meaning and relevance and is no longer effective. Often humorous, these trite expressions would have been considered original and loaded with meaning when first used. Clichés are often derogatory, but they are not necessarily false or inaccurate. In his autobiography, ‘Moab is My Washpot,’1997, Stephen Fry says, ‘It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue.’

They’re clever little things; readymade idioms often summarising lines of description in one pithy phrase that everyone understands because they form part of our cultural fabric. They can also have an implication which is different from its true meaning. For example, ‘do you think I’m made of money?’ implies just the opposite.

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