Allsorts of Alchemy

Like a bag of Liquorice Allsorts, your writing will contain little tastes of the unexpected as well as some familiar elements. So, when you’re sitting there, scribbling or tapping away, do you ever wonder if your marvellous, utterly inspired plot has been written before? The unpalatable answer is: it probably has.

Does it matter? Probably not.

If you’re a writer, and also an avid reader like me, borrowing piles of books from the library each week, bingeing in bookshops and charity shops, or filling up your e-reader, it can be disconcerting to find that you’ve chosen several books with related themes. To the new and aspiring novelist, it can be gutting to read a summary of your entire storyline on the back of a newly published paperback. Dispiriting to think the plot you’ve been worrying at for years has already been done.  

Honestly, how many completely original stories have you read, ever?

In recent weeks I’ve picked up novels dealing with eerily similar subject matter. No spoilers, but plots have included: heroines who are morticians (but not in crime novels); husbands or wives who mysteriously disappear; recalcitrant teenage daughters who have problems and/or secrets; husbands who reveal a second family; and almost interchangeable crime scenes The choice has been completely unintentional, as the blurb doesn’t always betray all the details of the story.

Just last week, I read a new release with definite echoes of my own WIP, which I’ve been working on for the past two years. Great minds, eh?

Fiction is awash with adaptions and reinventions of familiar tales. They say there are only seven basic plots anyway, so good luck trying to invent one that hasn’t already been covered by someone, somewhere.  Besides, no one can read everything; life’s too short. Denying yourself the pleasure of exploring a delicious subplot because you’ve read something similar, and worrying that your readers will notice a resemblance, is to invite even more uncertainty and doubt into your writing life. And you’ve got enough of that already, right?

So what if the plot has been used before? Not by you, it hasn’t. 

There are always aspects that will be different. Imagine baking a chocolate cake. The recipe calls for certain ingredients in particular amounts. The result is a sort of alchemy. Change the method or the ingredients only slightly and the cake will be different: denser, lighter, more luscious, less calorific.

The same goes for writing. The love story you’re considering may have been told many times before – it’s the human condition, after all – but not in your voice, with your expertise in telling an old story in a new and distinctive way. Even in a familiar girl meets boy scenario, there’s lots of scope for originality. Unusual settings and exotic locations create interesting situations almost by themselves. A mental or physical problem could add a new dimension to an otherwise ordinary situation (make sure you do your research first). Consider the dynamics of the couple: how they respond to each other, to outside influences, things they can and can’t control – there’s a huge range of emotions, undercurrents and subtleties to be explored, in your own inimitable way.  

Try not to get too hung up worrying about plagiarising someone else’s work. There’s no copyright in ideas, just the way they are expressed. Avoid hackneyed phrases and clichés, which will mark your writing out as unoriginal. We are all unique and the stories we tell will be similarly individual. Approach familiar stories from a different perspective, introduce unexpected elements. Be inventive, unpredictable and ingenious.

There really is nothing new under the sun. Everyone’s recipe is different. We all have our own writing style and voice. The stories we tell, even those with similar themes, will always be different. 

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The same…. but different. Finding the perfect word.

How often have you paused, pen in hand, fingers over keyboard, trying to think of an alternative word to avoid a repetition?  How often have you looked over a piece of work and realised that you’ve used the same word several times in one paragraph? Or worse, had it pointed out to you at your writing group?

It’s time to grow your vocabulary.

Continue reading

Asking Myself Some Serious Questions

desert island

While on my desert island recently, I was thinking that it might be fun to bring a writerly perspective to some of the more random, even philosophical questions I’ve been asked over the years. Some are pretty run of the mill; some have personal resonance and most have nothing, specifically, to do with writing. But I think they’re interesting enough to run a series of author interviews in the future. See what you think. Continue reading

Changing the Landscape

For a variety of reasons I’ve been having a funny old time, writing-wise, just lately. The old mojo seems to have packed its trunk and run away to the circus. I didn’t invite me along, though I think I’d be pretty good on the trapeze, so rather than sit around feeling sorry for myself, gazing gormlessly into space, I’ve been doing something worthwhile.

I’ve been writing in my head. Continue reading

In Praise of the Written Word

bookshelf1Sometimes when the muse isn’t with me and wringing anything sensible from my frazzled brain is a real effort, I wonder why I’m doing this. Writing, I mean. Why do I write? Who is it for?

Jean Paul Sartre maintained that ‘Hell is other people’ and I have a certain sympathy with that sentiment, but if anyone were to ask me what form my particular hell would take, I would answer immediately, without any thought at all: Hell is having nothing to read. I would qualify this to include the inability to read.

If I couldn’t read, for whatever reason, I’d go nuts, simple as that; I may as well shoot myself. Continue reading

Watching the World Go By

Giant's Causeway5

I’m an inveterate eavesdropper and people-watcher. The minutiae of other people’s lives, with all their complexities and mundanities, fascinates me. They might seem tedious to the casual onlooker, but they are very fertile hunting grounds for the writer.

A healthy dose of inquisitiveness is a useful quality for a writer and one worth cultivating. Continue reading

Characterisation

character One subject that keeps coming up in my writing group is how to create convincing characters.

All characters need a context, a goal, a challenge, a history, but do you start with a blank page and watch your characters develop as the narrative progresses, or are you familiar with every aspect of their backstory before you start writing?

So how do you build a character? Continue reading