Sometimes when the muse isn’t with me and wringing anything sensible from my frazzled brain is a real effort, I wonder why I’m doing this. Writing, I mean. Why do I write? Who is it for?
Jean Paul Sartre maintained that ‘Hell is other people’ and I have a certain sympathy with that sentiment, but if anyone were to ask me what form my particular hell would take, I would answer immediately, without any thought at all: Hell is having nothing to read. I would qualify this to include the inability to read.
If I couldn’t read, for whatever reason, I’d go nuts, simple as that; I may as well shoot myself. Continue reading →
One subject that keeps coming up in my writing group is how to create convincing characters.
All characters need a context, a goal, a challenge, a history, but do you start with a blank page and watch your characters develop as the narrative progresses, or are you familiar with every aspect of their backstory before you start writing?
We’re all familiar with the need for a great opening that grabs the reader and draws them into the story, and the need for a cliff hanger at the end of a chapter to encourage the reader to keep turning the page. But what about the ending?
I was recently complimented on the final sentence in my novel, Breaking News and it got me thinking about how we finish our novels and short stories and what we are trying to achieve with that concluding sentence. Whilst the beginning of a book might get all the glory, it’s the powerful ending that stays with you. A book’s last line should square the circle. Continue reading →
Writers approach reading differently from other people. They dissect the writing, eager to understand how the author has created an enthralling plot, a cast of sympathetic and believable characters and a strong sense of atmosphere.
By atmosphere, I’m not talking about ghostly happenings or unexplained creepiness, though these also have their place. I’m talking about creating a mood to draw your readers in, build expectations and provide important information about your characters. By using sensory detail to bring scenes alive your readers will see the world through the eyes of the characters. Encouraged to experience the story at first hand, they will inhabit this imaginary world, be part of the characters’ lives, sharing their pleasures and disappointments. Continue reading →
What assisted publishing did for me – a cautionary tale.
The New Year is supposed to be a time for looking forward and this January is no exception. But before I start in on 2017 I have some unfinished business from last year. Very soon my two published novels will have no presence on Amazon, until I get my head round the intricacies of self-publishing and re-launch them myself. 2016 was a demoralising year. Here’s what happened. Continue reading →
The Amaryllis on my windowsill is in splendid, flamboyant bloom at the moment. Pity I can’t say the same about my writing. I’ve never believed in writer’s block, so the last few months have been difficult: I’ve come up against an immovable obstacle that I’ve been unable to push through. I’ve hit the wall.
I make notes, use diversionary tactics and bring out all the tried and tested solutions but I still find myself, against my own advice, messing around in the foothills, constantly editing and re-editing the first few chapters. It’s all procrastination. I should be pushing forward, not marching on the spot. Continue reading →