For a variety of reasons I’ve been having a funny old time, writing-wise, just lately. The old mojo seems to have packed its trunk and run away to the circus. I didn’t invite me along, though I think I’d be pretty good on the trapeze, so rather than sit around feeling sorry for myself, gazing gormlessly into space, I’ve been doing something worthwhile.
Fiction – is there a reason for it? A point to it? Most importantly for us novelists, why do we write it?
Speaking for myself, the main purpose of reading fiction has always been entertainment. Losing myself in a good book on a rainy afternoon is an enormous pleasure. I don’t usually expect a novel to be life-changing; that is not my primary reason for reading fiction. If it’s an historical novel it might inform and educate me; a comic novel will entertain or irritate me; science fiction might stretch my understanding with varying levels of success, but a novel tackling some kind of moral dilemma will always get my full attention. Continue reading →
Sometimes when the muse isn’t with me and wringing anything sensible from my frazzled brain is a real effort, I wonder why I’m doing this. Writing, I mean. Why do I write? Who is it for?
Jean Paul Sartre maintained that ‘Hell is other people’ and I have a certain sympathy with that sentiment, but if anyone were to ask me what form my particular hell would take, I would answer immediately, without any thought at all: Hell is having nothing to read. I would qualify this to include the inability to read.
If I couldn’t read, for whatever reason, I’d go nuts, simple as that; I may as well shoot myself. Continue reading →
One subject that keeps coming up in my writing group is how to create convincing characters.
All characters need a context, a goal, a challenge, a history, but do you start with a blank page and watch your characters develop as the narrative progresses, or are you familiar with every aspect of their backstory before you start writing?
We’re all familiar with the need for a great opening that grabs the reader and draws them into the story, and the need for a cliff hanger at the end of a chapter to encourage the reader to keep turning the page. But what about the ending?
I was recently complimented on the final sentence in my novel, Breaking News and it got me thinking about how we finish our novels and short stories and what we are trying to achieve with that concluding sentence. Whilst the beginning of a book might get all the glory, it’s the powerful ending that stays with you. A book’s last line should square the circle. Continue reading →
Writers approach reading differently from other people. They dissect the writing, eager to understand how the author has created an enthralling plot, a cast of sympathetic and believable characters and a strong sense of atmosphere.
By atmosphere, I’m not talking about ghostly happenings or unexplained creepiness, though these also have their place. I’m talking about creating a mood to draw your readers in, build expectations and provide important information about your characters. By using sensory detail to bring scenes alive your readers will see the world through the eyes of the characters. Encouraged to experience the story at first hand, they will inhabit this imaginary world, be part of the characters’ lives, sharing their pleasures and disappointments. Continue reading →