We did a very good exercise at the writing group recently – write a short scene where a character expresses an extreme emotion, such as anger, joy, grief, passion, impatience. Sounds easy enough, doesn’t it? But we’d been instructed to show the emotion, rather than tell it. So “she was frightened” was never going to cut it. We had to create a feeling with words. Continue reading
First of all I must apologise for not getting around to everyone’s blogs this week. It’s been a bit manic, here, what with friends staying, with children to entertain and all the extra cooking etc that this entails. Not an excuse, I know, but we’ve also had the Olympics to watch. I was rather cynical to start with, not being an especially sporty person, but I’ve been won over by the sheer excitement and exuberance of it all. And Team GB has done us proud with a great collection of medals. We’ve been glued to the TV in this house, even delaying going out to a party last night so we could watch Jess Ennis get her gold in the heptathlon. Sorry, I’m gushing now.
But it does lead me on to my subject – feelings and emotions. Touchy-feely writing isn’t the sole preserve of romantic fiction; it should figure in all our writing, whatever the genre. In short, if we want to produce well-rounded narrative description, we shouldn’t neglect our feminine side.