The language of love

One thing I know about writing sex scenes – I find it tricky to strike the right tone and, as a consequence, I tend to stop at the bedroom door, so to speak.

These scenes are notoriously difficult to write well. The Literary Review even created the annual Bad Sex Award to celebrate ‘the worst, most redundant or embarrassing description of physical joining, in a novel.’  http://www.literaryreview.co.uk/badsexpassages.html

Published writers admit that writing sex scenes turns them on – and the best way to make sure a scene is sexy, is to make sure you find it sexy.

Writing my sex scenes physically excites me, as it should.’ John Updike.

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Romantically inclined

My first one and a half novels were love stories. The plots were rather convoluted, and they strayed from the acceptable norm of romantic novels in lots of ways, but basically, they followed the traditional rules of romantic fiction. Even though the storylines featured fraud, death and dishonesty the stories were, at their hearts, romances.

The new novel, however, features much unpleasantness and a lot of humour, but I’m struggling to identify the romantic thread. With this in mind, I revisited the accumulated advice on writing romantic fiction to decide, once and for all, if what I was writing could be considered a romance.

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