There’s humour all around us, if we pay attention, and comedic value in many everyday situations. It’s just a case of looking for it.
A few years ago my doctor advised a surgical investigation. Nothing drastic, but it fell into the ‘one of those things I’d rather not do, thanks very much’ category. I was persuaded that it would be a good idea and I agreed.
It’s important to give your main characters a personality, otherwise they’ll appear two-dimensional. They’ll all sound the same and the reader will find it difficult to differentiate between them. You want the reader to care about your characters (and to be honest, why would anyone carry on reading unless they did?) and to empathise with them. So the reader need to know what drives them. Characters need a context, a goal; maybe a challenge; certainly a history.
If my previous post didn’t help free up the creative juices, here’s a list of last lines – writing a story from the end, backwards, requires a different sort of imaginative leap, but it can be very entertaining. As before, you can delete the last line after you’ve finished. One of these last lines is the conclusion to one of the novels from the first lines list.
Here’s an old trick. Lost your writing mojo? Can’t think where to start? Where better than the first line of a famous literary work? You don’t need to be familiar with the original story; in fact it works better if you aren’t. When you’ve finished your piece, you can go back to the beginning and delete the first line – I guarantee you won’t need it by then.
In no particular order, here are some of my favourite first lines. I’ve read, enjoyed and can highly recommend all of these books, though I can’t profess to have remembered all these beginnings without some help. Some of the novels are a delight, to be kept and revisited, some of the others are more of a challenge. I’ll let you decide.
I’ve been reading some Mary Higgins Clark short stories recently. Well I say short, but the first story in the volume is 50,000 words long. The others incline more towards the 4-5,000. Which begs the question, how long is short? I’ve heard of people e-publishing ‘novels’ of 5,000 words, which isn’t even a novella, but I suppose that’s the beauty of an e-book: it can be any length you like. And if you’re writing material that feels natural at this amount of words, where else are you going to get it published? Certainly the old, established markets for the short story are gradually drying up – women’s magazines are a prime example. More and more magazines are dropping their fiction pages in favour of real life, how-I-overcame-this-dreadful-situation-and–lived-to-tell-the-tale type stories.
Talk on the interweb today about a new digital novel by Caroline Smailes. ’99 Reasons Why’ is a family drama about obsession, told in 99 short chapters. So far, so normal. But Caroline’s book comes with a sting in the tail: a choice of eleven alternative endings, which are influenced by the reader’s tastes and mood and on their answers to a series of multiple-choice questions on colours, numbers and objects.
Caroline came up with the idea when she learned that several readers were unhappy with the rather gloomy endings of her previous two books. Readers with a Kindle or other e-reader device are asked simple questions about their interpretations of the characters to determine the ending of the story. If they’re still not satisfied, they can answer the questions differently to get an alternative ending.
Maggie Cammiss 