Category Archives: imagination

A moment in time

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An interesting event this afternoon. Actually, ‘event’ is too grand a word for it. It was more of a moment in time, but quite a strange one all the same.

This week we’ve had some old friends and their children staying with us. Today being the last day of their visit we decided to hire a couple of canoes and paddle up the river to the pub, where we would have lunch. There was a break in the clouds and the sun shone on our little expedition; the river was calm and almost empty of other river craft. Our journey through the bucolic countryside was punctuated with wildlife and the city-dwelling kids were enchanted.

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Beginner’s luck pt 2

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Now that we’ve sorted out the peripherals, we can get down the process itself and examine some of the rules of writing from a beginner’s perspective. A lot of what is written about the art of writing applies to those who’ve been writing a while. It’s easy to get bogged down in does and don’ts even before you pick up a pen or sit at a keyboard.

But before I begin, I must add a note about a point I made a few posts ago. Regulars to this blog might remember I was having a go at Stieg Larsson for leaving a plot point hanging – see the ‘Chekhov’s Rifle’ post. Well, I have some humble pie to eat. I complained that one of the main characters in ‘The Girl with the Dragon Tattoo’ had a perfect opportunity to use a weapon she had previously dropped into her pocket, but she didn’t. I wondered at the time whether Larsson had just forgotten about it.

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Beginner’s luck pt 1

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In which we examine some of the influences that shape our writing lives. In part one I thought I would look more closely at the peripherals – those external aspects of writing, mostly outside our control, that nevertheless directly affect how we write and what we write about.  In part two, we’ll scrutinize the writing process itself.

In my experience, writing isn’t a life choice, like exercise, or dieting. We don’t decide to become writers any more than we decide to become a man or a woman (well, most of us, anyway); by the time we’re ready to make such a conscious decision; writing has already made the choice for us. It’s a compulsion: innate, and as inevitable as death and taxes.

So let’s start with some advice:

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Plot generation

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Finding myself with ten minutes to spare and faced with a blank page the other day, I started plotting. The outline of the new novel and its overarching narrative has been established, but the story needs a subplot to allow me to explore the characters’ personalities more deeply and examine their motivations.

I idly searched ‘plot ideas’ on Google and was rewarded with a plethora of plot generator sites. Blimey. A better way to waste my precious few moment of writing time I have yet to find. It’s fascinating; a bit like watching an accident on television: you want to stop, but you can’t look away.

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New beginnings

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After casting around in the wilderness for a while, tinkering away at the second novel – the one I began during last year’s NaNoWriMo – I have belatedly realised that I don’t want to continue with it. Not at the moment, anyway.

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As if

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‘I’d like to write a novel; I just don’t have the time.’ How many times have you heard that one and gnashed your teeth? As if writing a novel is that easy and all you need to perfect the art is the time to do it. Would they say the same to the doctor they meet at a party? ‘Oh, I’ve always wanted to be a heart surgeon, but I just haven’t got the time.’ Sounds ridiculous in that context, doesn’t it? And what about the financial markets?  We’d all be millionaires if we only had the time to play the stock market.

I don’t think so. These aren’t pastimes you pick up on a whim. They are professions that take dedication, practice, and, dare I say it, talent. You’ll never be a concert pianist (as I know to my cost) unless you practice, but more importantly, you’ll never get off the starting blocks without some innate talent.

Writing is the same. It’s a vocation, whether you’re getting paid for it or not. It’s a need.

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Giving it all away

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There’s a trick to storytelling, to capturing our readers’ attention, and it’s not just about piling on the details and descriptions. We have to maintain some mystery. If we reveal too much too soon, our constant reader will work out what’s going to happen, their curiosity will wane and they’ll lose interest. In the process, we’ll destroy the narrative tension. There’s no harm in dropping hints along the way; that’s how we hook our readers attention and keep them gripped.

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Things aren’t always what they seem

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I was going to write about observation today, particularly the writer’s habit – or is it just mine? – of jumping to conclusions about the events and scenes we witness every day and introduce into our fiction.  Do we write a true representation of what occurred, or let our imaginations running riot? I’ll come back to that. But first, and rather off the point, I want to share something else with you. Continue reading →

Playing hooky

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They say procrastination is the thief of time, but sometimes it has its advantages.

Last weekend I fully intended to get down to some serious writing. I switched on the PC, checked my emails (displacement activity no.1) and was all set to exit the internet for the day (displacement activity no.2 – I have to be firm with myself otherwise time just fritters away), when I decided to have a quick peep at my daily horoscope (displacement activity no.3).

What a delight! My astrologer of choice told me to take a day off. She also predicted that whilst I was busy doing nothing, I would have a brilliant idea. She explained that this would happen if I distracted my conscious mind, because it would allow my creative mind, or subconscious, to roam free.

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Actions speak louder than words

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Non-verbal communication is usually understood to mean the process of creating or representing meaning by sending and receiving wordless, usually visual messages. These can include facial expressions, gestures, body language and eye contact. But how, I hear you ask, can this possibly help the writer? We need to examine the concept in a little more detail.

Previous posts have discussed the art of showing, not telling. Non-verbal communication falls firmly into the ‘showing’ category. Our characters don’t have to say anything to convey how they are feeling. The postures they adopt, their facial expressions and unconscious actions or tics will all reflect their moods and tell the reader more about the characters’ thoughts and feelings than long paragraphs of description, speech tags and adverbs.

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