The other day I sat through a film featuring a subplot that had nothing whatever to do with the main thrust of the film. It didn’t reveal anything about the characters or the storyline, it didn’t hint at motivation, it wasn’t even a credible red herring. Completely irrelevant. I can’t even remember the title. However, it had an unexpected, but very useful consequence.
After the successful conclusion of an important subplot of my own, in which my mother in law was transferred to residential care when her dementia became too advanced to manage at home, I found myself with an unaccustomed amount of free writing time and not a word in my head. Tum-te-tumming at the keyboard I recalled the film with the inconsequential subplot and looked at it through the lens of my own perspective. What purpose should subplots serve in novels? Continue reading
Maggie Cammiss 