We’ve managed to get my mother-in-law booked into day care for two days a week. Mum lives with us and suffers from acute Alzheimer’s but anyone who is responsible for an ageing relative will understand what this turn of events really means. I have been presented with that most valuable of commodities – long, uninterrupted tracts of time. I can hardly believe it. Continue reading
Excellent introduction to crime writer Dave Sivers and his creation, DI Lizzie Archer, on Jane Risdon’s blog this week
Dave Sivers Author 2017
Dave Sivers is my Guest Author and we are going to explore
A Day in the Life of Detective Lizzie Archer with him, but first:
Dave, tell us about yourself, why you write, and why you write in this particular genre. What is your inspiration? What is your next project?
I grew up in West London and spent my working life in the civil service until I took early retirement from the day job a few years back. I’ve always been a reader and have been writing stories since I was about six, so during that first career – when I wasn’t moonlighting as a bouncer or a bookie’s clerk, or studying for my Open University degree – I was busy with a number of writing projects, with varying degrees of success.
When I found myself with more time for writing, I followed my dream of…
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When I first moved up to Norfolk from London I worked in a fascinating archive, The History of Advertising Trust, which has its offices deep in the countryside where real estate is cheaper than the capital. (Archives only ever grow, they never shrink.) Anyway, it was my good luck to happen upon it, because over the years it provided me with a lot of stimulation, sparking my imagination when I was struggling for ideas.
Advertisements are still a favourite source of mine. I love the lateral thinking, the wit, the ingenuity, the nods to popular culture, to classical art and literature, but I have a soft spot for 1980s cigarette ads. In this decade, tobacco companies in the UK were no longer permitted to show actual cigarettes in their advertising, although they were still allowed to promote their products. I’ve never been a smoker, and I’m not endorsing smoking here, but the imaginative and surreal advertising campaigns that resulted from the efforts to circumvent the ban are as fantastic as they are bizarre. Remember the Benson & Hedges pyramids and the Silk Cut scissors? You can see them here: http://www.hatads.org.uk/catalogue/search.aspx?titleType=Print%20Advertising
But how could these curious images help drag my exhausted imagination out of the doldrums?
One particular series of ads was for Winston cigarettes and would have appeared on the London Underground. Because of the ban there are no images of lissom women enjoying cigarettes, no curls of smoke floating irresistibly upwards. The strapline reads simply, ‘We’re not allowed to tell you anything about Winston cigarettes, so here’s something to pass the time.’ But it’s the text that followed that catches the eye. Picture the scene…
You’re sitting on the train on your way home. You glance at the ad and read, ‘We’re not allowed to tell you anything about Winston cigarettes, so here’s something to pass the time.’ You read the rest of the text and an idea sparks. You take out your notebook, (because you always carry one, don’t you?) and let your imagination go. By the end of the journey you have a serviceable character study…
- Look at the person sitting opposite you.
- Just a quick glance. Try not to stare.
- What do you think they do for a living?
- How much do you think they earn?
- More than you?
- Could you do their job?
- Think of 5 possible Christian names for them.
- And one nickname.
- Are they married?
- Imagine their home. Their furniture.
- What do they keep on their mantelpiece?
- What colour bathroom do they have?
- Consider the ANY DISTINGUISHING MARKS section of their passports. What does it say? What should it say?
- Where are they heading now? And why?
- To meet somebody? Who? For what reason
- Do they look like they’re late?
- And if they suddenly leant forward and offered to buy you dinner, what would you do?
I’ve tried this as an exercise with my writing group and it always gets good results. It forces everyone to think a little outside the box and consider alternative character traits. It acts as a catalyst, igniting the imagination and sending it off in unusual directions.
Works every time, often with very interesting results.
We’re all familiar with the need for a great opening that grabs the reader and draws them into the story, and the need for a cliff hanger at the end of a chapter to encourage the reader to keep turning the page. But what about the ending?
I was recently complimented on the final sentence in my novel, Breaking News and it got me thinking about how we finish our novels and short stories and what we are trying to achieve with that concluding sentence. Whilst the beginning of a book might get all the glory, it’s the powerful ending that stays with you. A book’s last line should square the circle. Continue reading
Stuck with your plot? Bogged down in description? Janet Gover discovers a novel way of building a story.
Whenever a few writers get together, at some point the age old question is going to come up…. Are you a plotter or a pantser? This of course refers to our way of working. Do you plot the novel in d…
Source: Plotting with dialogue
Writers approach reading differently from other people. They dissect the writing, eager to understand how the author has created an enthralling plot, a cast of sympathetic and believable characters and a strong sense of atmosphere.
By atmosphere, I’m not talking about ghostly happenings or unexplained creepiness, though these also have their place. I’m talking about creating a mood to draw your readers in, build expectations and provide important information about your characters. By using sensory detail to bring scenes alive your readers will see the world through the eyes of the characters. Encouraged to experience the story at first hand, they will inhabit this imaginary world, be part of the characters’ lives, sharing their pleasures and disappointments. Continue reading
Some really good advice on novel construction from Jenny Harper
I’m going to start at THE END. It may seem an odd place to start, but I’ll explain.
A couple of weeks ago, I was able at last to write these words on my work in progress – I had, after almost a year, reached the conclusion of my novel. However, THE END only takes a writer straight back to the beginning, because with a first draft complete, the hard work of editing begins. Fellow blogger Janet Gover has talked before about the way she edits her manuscripts. It’s an essential part of the whole process and has many facets. I’d like to talk in particular about addressing the issue of pace.
Reading through my manuscript (the first time I’d seen all 110,000 words printed out), I could see all too clearly where the story moved forward at a cracking pace, where it slowed down, where I’d written too quickly in order to keep…
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