Critical mass part 2

Criticism is part and parcel of the writing process. Without it we will never know if our work is any good, but to benefit the writer the comments must rise above the personal – those kindly responses that don’t offend but don’t offer anything useful either – and address the problems with the writing itself, rather than with the writer.

My mother always used to say, If you can’t think of something pleasant to say, don’t say anything. This might be useful advice in some areas of my life, but it’s completely useless when critiquing another’s work. Writers, particularly beginners, want to know if their work hangs together, makes a thumping good read, has believable characters and plot. Some even want to know if they’ve got the spelling and punctuation right, too. Hearing that the result of sleepless nights, tortuous plotting sessions and numerous rewrites is ‘quite a nice read’ is more likely to send us into a slough of depression than any amount of constructive criticism.

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Criticism….can you take it?

As writers we are often called upon to critique another’s work. Maybe in a creative writing class, a writing group or even a friend who needs some independent input. But whenever we produce a sizeable piece of work ourselves, we should also be able to take a step back and look at it dispassionately. Just as we have a mental checklist to guide us through an assessment for a third party, so there are a number of points to check when reviewing our own work. This list is presented in no particular order of relevance or importance.

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