Category Archives: author

Romantically inclined

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My first one and a half novels were love stories. The plots were rather convoluted, and they strayed from the acceptable norm of romantic novels in lots of ways, but basically, they followed the traditional rules of romantic fiction. Even though the storylines featured fraud, death and dishonesty the stories were, at their hearts, romances.

The new novel, however, features much unpleasantness and a lot of humour, but I’m struggling to identify the romantic thread. With this in mind, I revisited the accumulated advice on writing romantic fiction to decide, once and for all, if what I was writing could be considered a romance.

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Beginner’s luck pt 2

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Now that we’ve sorted out the peripherals, we can get down the process itself and examine some of the rules of writing from a beginner’s perspective. A lot of what is written about the art of writing applies to those who’ve been writing a while. It’s easy to get bogged down in does and don’ts even before you pick up a pen or sit at a keyboard.

But before I begin, I must add a note about a point I made a few posts ago. Regulars to this blog might remember I was having a go at Stieg Larsson for leaving a plot point hanging – see the ‘Chekhov’s Rifle’ post. Well, I have some humble pie to eat. I complained that one of the main characters in ‘The Girl with the Dragon Tattoo’ had a perfect opportunity to use a weapon she had previously dropped into her pocket, but she didn’t. I wondered at the time whether Larsson had just forgotten about it.

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Beginner’s luck pt 1

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In which we examine some of the influences that shape our writing lives. In part one I thought I would look more closely at the peripherals – those external aspects of writing, mostly outside our control, that nevertheless directly affect how we write and what we write about.  In part two, we’ll scrutinize the writing process itself.

In my experience, writing isn’t a life choice, like exercise, or dieting. We don’t decide to become writers any more than we decide to become a man or a woman (well, most of us, anyway); by the time we’re ready to make such a conscious decision; writing has already made the choice for us. It’s a compulsion: innate, and as inevitable as death and taxes.

So let’s start with some advice:

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Chekhov’s rifle

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‘One mustn’t put a loaded rifle on the stage if no one is thinking of firing it.’

What Chekhov meant by this excellent piece of advice was that nothing – objects, characters, situations, moods – should be random in our writing. Everything must have a purpose.

So why are you thinking of setting your novel in the recent past?

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Plot generation

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Finding myself with ten minutes to spare and faced with a blank page the other day, I started plotting. The outline of the new novel and its overarching narrative has been established, but the story needs a subplot to allow me to explore the characters’ personalities more deeply and examine their motivations.

I idly searched ‘plot ideas’ on Google and was rewarded with a plethora of plot generator sites. Blimey. A better way to waste my precious few moment of writing time I have yet to find. It’s fascinating; a bit like watching an accident on television: you want to stop, but you can’t look away.

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If I were a man…

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Sometimes I wish I’d been born a male. Then I wouldn’t have a guilty conscience about leaving the washing up in the sink or neglecting to keep the refrigerator stocked up. The dog would go un-walked and I wouldn’t care; I need to write and all other petty considerations are secondary.

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Starting Out

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When I first started to write a novel, I thought I knew what I was doing. After all, I figured, I’d read lots of them. What could possibly go wrong?

Just in case there was something I might have missed, I enrolled on a 5-day residential novel-writing course. I won’t mention the name of the organisation. Suffice it to say it is very highly regarded in the field of literary endeavours. Maybe I just hit a bad week, but it was a pretty expensive waste of time and I won’t dwell on it, except to say that I’ve since heard an interview with one of the tutors where she actually admitted how bad she’d been that week. (I think she only did it once; she wasn’t temperamentally suited to the concept of coaching at all.)

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Out of time

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This really annoys me – when you’re reading an otherwise gripping novel or watching an absorbing film, and you’re suddenly yanked out of the moment by a glaring anachronism.

Maybe it’s just me, and I’m overburdened with information. I don’t mean to be glib but sometimes I wonder if too much knowledge is indeed the marvellous thing it’s purported to be. Would it be better not to know? Is ignorance really bliss?

Let me explain. Last night I was watching ‘Atonement’, the film of the book by Ian McEwan. I’ve read the book and seen the film before, and although I thoroughly enjoyed both, there’s always been a little itch, something I couldn’t quite put my finger on, that prevented me from enjoying them as much as I should. Last night it finally clicked. My problem hinges on the use of one little word.

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As if

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‘I’d like to write a novel; I just don’t have the time.’ How many times have you heard that one and gnashed your teeth? As if writing a novel is that easy and all you need to perfect the art is the time to do it. Would they say the same to the doctor they meet at a party? ‘Oh, I’ve always wanted to be a heart surgeon, but I just haven’t got the time.’ Sounds ridiculous in that context, doesn’t it? And what about the financial markets?  We’d all be millionaires if we only had the time to play the stock market.

I don’t think so. These aren’t pastimes you pick up on a whim. They are professions that take dedication, practice, and, dare I say it, talent. You’ll never be a concert pianist (as I know to my cost) unless you practice, but more importantly, you’ll never get off the starting blocks without some innate talent.

Writing is the same. It’s a vocation, whether you’re getting paid for it or not. It’s a need.

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Giving it all away

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There’s a trick to storytelling, to capturing our readers’ attention, and it’s not just about piling on the details and descriptions. We have to maintain some mystery. If we reveal too much too soon, our constant reader will work out what’s going to happen, their curiosity will wane and they’ll lose interest. In the process, we’ll destroy the narrative tension. There’s no harm in dropping hints along the way; that’s how we hook our readers attention and keep them gripped.

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